Moyers & Company

State of Conflict: North Carolina

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First it was Wisconsin. Now it's North Carolina that is redefining the term "battleground state." On one side: a right wing government enacting laws that are changing the face of the state. On the other: citizen protesters who are fighting back against what they fear is a radical takeover. This crucible of conflict reflects how the battle for control of American politics is likely to be fought for the foreseeable future: not in Washington, DC, but state by state. This week on Moyers & Company (check local listings), STATE OF CONFLICT: NORTH CAROLINA offers a documentary report from the state that votes both blue and red and sometimes purple (Romney carried it by a whisker in 2012, Obama by an eyelash in 2008). Now, however, Republicans hold the Governor's mansion and both houses of the legislature, and they are steering North Carolina far to the right: slashing taxes on corporations and the wealthy, providing vouchers to private schools, cutting unemployment benefits, refusing to expand Medicaid, and rolling back electoral reforms, including voting rights. At the heart of this conservative onslaught sits a businessman who is so wealthy and powerful that he is frequently described as the state's own "Koch brother." Art Pope, whose family fortune was made via a chain of discount stores, has poured tens of millions of dollars into a network of foundations and think tanks that advocate a wide range of conservative causes. Pope insists that he is simply "educating the voters on the issues so that they can hear both side of the issues, not just one side." The New Yorker's Jane Mayer, the first national journalist to investigate Pope's dealings in North Carolina, begs to differ. She says Art Pope has shown "that one really wealthy individual can almost rule." Pope's most ardent opponent is the Reverend William Barber, head of the state chapter of the NAACP, who says Pope is the powerhouse behind "an avalanche of extremist policies that threaten health care, that threaten e
 

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